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Benji B is a British DJ and radio presenter. He also previously presented a weekly radio show called Deviation on Couleur 3 a national Swiss radio He is a co-producer on Kanye West's track 'Fade' from his Life of Pablo album. Sign in to the BBC, or Register if require. Continue Change settings Find out more. Performances Popular All Recommended.

Playlists Featured All Recommended. Artists Popular All Recommended. A tribute to David Bowie. Last Played on BBC. Read more at Wikipedia. Packed with big strokes and grand pianos.

Initial reports suggest the album will finally provide Terrence Parker with the sort of recognition his music more than deserves. I just want to keep putting out musicand see some good come out of it. Ken'scareer spanned getting on for 20 years, from his roots in underground disco to his pioneering support of house music.

Many of the stories about him are based around the inspired sets he played during the series of residencies he held at venues like The Downstairs Pub, Todds and, perhaps most notably, Heaven on Detroit's West Seven Mile Road. Many of the Motor City's most celebrated talents cite Ken as an important influence on both their DJing and on their music production. Terrence Parker is no exception.

The coolest thing about Ken was you never knew where he was going to come from on any given night. He could go in any direction and it would still be amazing.

One night, he might start by playing laid-back cuts and build it from there. Another night, he'd just come out with hard stuff. He played everything and he made it all seem special. But it was Ken Collier who showed me the best way to manipulate and control a club.

He showed me there was an art to playing records which went way beyond anything which I had ever imagined. A lot of DJs believe all they have to do is match beats. There's more to it than that. Ken Collier looked upon DJing as a deeply powerful and deeply emotional artform, and he demonstrated that every time he played. It's a percussive thing from Dansa. The biggest fun you can get legally. From the amazing new album "Hiatus".

The song that rocked the Six6 party after the Muzik awards and caused ahem serious damage. A major new voice mixes it w-itli Chez "N" Trent. Limited edition vinyl sampler. Inner City, All Funked Up ' Surreal Clean It Up: The Twister, Day By Day: Andrew' Pearce, Into Your Heart: The I Oth Planet, Ahnonghay: The Formula, Feel The Fire: The Groove Corporatio Wonders of Wishing: Fred Wesley blows up and The Strikers do the disco.

Funked up mangled beats with loads of attitude. Poppers '96 - Poppers. But you don't need to be a psychic to recognise the thick fug of bad vibes hanging in the air like a cheap air freshener. John Digweed , his droopy eyelids hidden behind round-rimmed glasses, is slumped in his chair. He chuckles, hisguttural drawl speaking volumes. You can tell he's gutted. He'sstill philosophical about it, though. Sasha , on the other hand, wears the expression of a man who has been stripped of his dreams.

Earlier on, membersof his travelling entourage had warned us he was close to tears. It doesn't look anything like that bad, no tantrums or emotional outpourings, just this righteous anger tinged with desperation. At which point in the proceedings, some explanation may well be required. And it will probably also help to introduce some of the bit-part players who make up this Californian lost weekend. The stars, of course, are Sasha and Digweed, purveyors of great tunes and even greater atmospherics.

Members of that select band who have the ability to make music sound like a wave breaking into perfect shape. But there are others. In between, Sasha and Digweed are scheduled to play at the city's biggest dance music event for years, supported by BT's first live performance in America and a cavalcade of home-grown DJing talent. All 5, tickets for Dance Nation have sold out well in advance.

The licence is sorted and the expectation is immense. This, quite rightly, is what we're here for. But it is never that simple. Even when the city has just voted in a new mayor, a man widely regarded as being one of the most enlightened members of his profession, things don't necessarily go according to plan.

Particularly if the police have just cordoned off every street within six blocks of the venue. The show is off and no official reason isgiven.

Butthen why do you need to bother with an official reason when you pack a pistol and a night-stick? The news that Sasha and Digweed are short of a booking is obviously not confined to room of The Renoir. A gap in the bill at San Fran's Another of his famous rebounds off the walls. After the is put back in place, the pros and cons are considered. A collective scratching of heads ensues. Digweed is in favour of getting an early night in the hope of a second bite tomorrow.

Til get my head down for a bit and see how I feel later. You can start without me. A man on a mission, if ever there was one. Although both made their names playing up north, Sasha at Shelley's and John Digweed at Renaissance, they come from very different backgrounds.

Inspired by the soul and funk which was touted by jocks like Robbie Vincent, Digweed bought his first decks when he was 1 3. I went up to London to buy them, but nobody seemed to have more than one deck in stock at a time. How he ended up here is quite a different story to Digweed's. Brought up in sleepy Hawarden in Clwyd, the young Sasha wasn't too bothered about music.

So to get away from the drudgery, he'd disappear to Manchester, where he found the pu and direction which had previously evaded him.

As soon as I saw all those smiley T-shirts and bandannas, that was it for me. From then on, he was completely hooked. The promoters are making money and so are the venues. After all, he had good reason to dismiss this Sasha bloke as a jerk, particu larly when he failed to show for one of his nights in Hastings in But when I phoned him upon the afternoon of the gig to see when he was arriving, he said. There wasn't that much j Ulllul Dili olUI y incentive to travel for hours on the motorway for something which might not be as good.

The whole club was rammed and all they had was me. He eventually played, unannounced in front of just people, at one of Digweed's Bedrock pa 1 "It was mental," remembers Sasha.

John's an amazing mixer and his knowledge of music is incredible. No club DJ ties at Hastings Pier. Less than two hours after the hotel scene, one of the UK's biggest nan up his cases on the concrete floor of the There's no booth and t bouncers. Just punters and him, in the thick of the action. For a jock whose name alone issufficient to guarantee queues around the blocks of mostdubsin Britain, something like thisisan opportunity to test their skills on an even playing field, to prove to themselves they have still got what it takes to rock a party.

And Sasha isn't about to let it pass him by. Six hours later, dawn has come and long gone, breakfast is no longer being served at the diner down the road and the local newsstand is fast running out of Sunday papers. But Sasha is still going strong. By this time, the hardcore punters still in attendance at the 1 0. It's one of those rare nights when every preconception is blown away, off with the morning breeze.

And just when it seems as though it could go on forever, events draw to a hasty close, everybody is turfed out to greet the blistering sun and the man himself disappears in the opposite direction to his hotel room. Somebody has apparently mentioned something about a party.

But above all else, he can do the job. Few clubbing experiences can match the sight. The alarm clock kicks into life and the phone rings.

Erm, listen, you haven't seen Sasha have you? Or was that just a dream? Meet me in the foyer in 15 minutes.

Panic has yet to set in, but the glint in Sasha's eye when he left the We dive into the nearest cab and head out of town. When it's launched next spring, it will be the culmination of lOyearshard labour. So will Brighton become his own little Sound Factory? Fifteen minutes later, we arrive at our destination. We ring the bell, but there's no answer. We check the address. Check the bell works. Bang on the door. Ring the bell again. Check the address again. A guy working on his motorbike in the street checks the scenario and tells us he saw a gang of people heading downtown in a fleet of cabs.

Then, just when the search seems like it might never end, a mirage appears in the shadow of the imposing Civic Hall. Can that really be Bukem on the decks and Conrad pacing through the strong crowd of blissed-out clubbers, most of them still rocking after last night's activities?

And isn't that Sasha in the throng, beaming the kind of guilty smile which would melt a mother's heart? Promoters are putting on great DJs, but I don't think the music always connects.

There was this one big night when I played for the last two hours and it just didn't happen. So I suggested John and I come back and do the whole night. It just made me realise that people want anthem after anthem. In the end, you have to turn your back on the money. He treated me like a complete fucking twat. On the night, I was supposed to play for four hours.

But after just an hour, these two big guys came in the DJ booth and told me to leave because Junior had arrived. He walked into the booth and he wouldn't even catch my eye, let alone say anything to me.

And I wasn't even allowed to leave my records in the booth, I had to take them into the club with me. It was a really humiliating experience. I have neverseen so many beautiful women in my life. Anyway, I was scheduled to go on at about seven o'clock, but within 1 5 seconds of my first track, there were police crawling all over the place. All the way to Italy for 1 5 seconds. And then there are the problems you get when you put on your own nights and have peoeple like Sasha let you down at the 1 1 th hour!

I really enjoy that. It's not so much an up-to-the-minute mix as one solid body of work, moulded together in their inimitable style. It was as if I was holding out on them or something! What else would make them spin sets of anything up to six hours at a time when they could be in and out and off to the next club within a couple of hours?

With the first bit of the jigsaw in place, Digweed fields calls from the Dance Nation promoter. He's less than happy about a rival benefitting from his misfortune by having Sasha play for six hours. He is also concerned Sasha's socialising might prevent him from turning up tonight.

Digweed is sympathetic and polite. Nevertheless, Digweed approaches the decks a few hours la ter while his sidekick is still tucked up, snoring his heart out.

He knows that, when his set is over, he'll have to face a promoter on the verge of tossing himself over the side of San Francisco's Golden Gate Bridge. Under those circumstance, it's amazing he manages to work up any kind of fervour at all.

But Digweed makes the most of the opportunity to show the subtle skills which have cast him as the dependable if often under-rated part of the team. He varies the sounds from the rougher end of garage to full-on trance workouts without the slightest hint of a hammy string break or a cheesy piano flourish. By his own standards, this was by no means one of the greats, but then the situation was far from ideal.

The party retire knowing full well there's more chance of Ross Perot becoming the next president of America than Sasha turning up to end the proceedings with a neat flourish. Digweed says h is goodbyes and heads back to the hotel, where he orders a wake-up call and tries to get his head down.

We should have known better. As John Digweed zips through the rush-hour traffic to the airport, another yellow San Francisco cab crosses his path and pulls up at the door of the 1 0. Out pops Sasha, bright asa button and ready to rock again. How could you do anything else? The Northern Exposure tour is as follows: Grey Whale Cove [5. Just watch this space. The record is a broad-ranging and expression istic mix of beats, scratches and samples which quickly flits from mellow soul to thrash-punk drums with no hesitation.

Yet it will probably be viewed as part of two fairly narrow debates here in Britain. Secondly, has the trip hop phenomenon still got legs? Neither of which tell you a lot about Shadow.

You could even be forgiven for forgetting he is American. This man's predominantly wordless hip hop sound-suites have invited many tags and been pigeonholed more than most pigeons. But one way of looking at his music has tended to be overlooked. With his own label, Stones Throw, now up and running, he's hoping to bring through other members of his crew, like the excellent Fanatick.

PB is also planning to release some of the material he made with Charizma, his old rhyming pal who was shot and killed back in All this and an album for the British All Good label, plus a full European tour in the pipeline. Blackaliciousare the second big name. This man can jump octaves like horny salmon jump rivers. More recently, we've had new tracks from Lateef, displaying a more direct and bruising style of rap, and creating one of the oddest and most striking hip hop records of the year with the excellent "Latyrx".

And last but by no means least in the crew comes Lyrix Born formerly Asia Born. Thisguy'sstyling has to be the nuttiest of the lot and his forthcoming single, "Burnt Pride", is a small triumph of post-pub rock 'n' rumblefunk hip hop.

Just listen to those drum fills. A perfect combination of laid-back 'n' funky vibrations, swinging drums and great lyrics, all delivered in cross-rhythmic bursts vaguely reminiscent of Godfather Don, which is high praise indeed. This is all thanks to their hectic, improvised tour schedule, wh ich involves getting on a plane, going somewhere, playing as many shows as they possibly can and moving on.

In between, they have released and sold a string of tapes, plus a fantastic vinyl cut, " 1 - The Final Legacy", which shows off their free-wheeling style something lovely. Hissound is always different and experimental, while his beats ; vl I crack and boom like thunder. However, perhaps more important than their titles is the sheer inventiveness, creativity and all-oi of their playing.

It does, however, have another deep and strong tradition. An underground committed to the founding, progressive principles of hip hop music, a community producing independent records and tapes which are literally sold on street corners, but are now snaking their way out across the world.

All of a sudden, people are starting to describe the Bay Area as a place to watch. Despite some of the dross currently emanating out of New York and Los Angeles, hip hop is not dead at all. Looking at it from this perspective, DJ Shadow is simply the most overground manifestation of a major underground phenomenon. T live in a sleepy college town about an hour or so from the Bay Bridge. But my main link to the Bay were the radio stations. It was here he used to watch the break-dancers and listen to what they were playing on their ghetto-blasters.

We were in McDonalds. Oh my God, when I heard that. A move which meant they no longer had to worry about trends or whether they'd get signed. It wasall accepted as hip hop and there was never a regional dispute. Only the East Coast people stayed in New York and never knew hip hop was being made in other places. As a result, I think the West Coast scene probably takes a broader view and is less retentive about what this music really means.

There are so many groups in the Bay and none of them care about where they strike or who knows they're there. They're just doing their thing. The Glue Factory is the pride and joy of Dan "Automator" Nakamura and is so named because, when he moved in, the whole place reeked of glue.

The Glue Factory is where Shadow recorded much of the "Endtroducing. Where Peanut Butter Wolf cut the material which has established his growing reputation in Britain. The studio itself is a box into which only two people can fit at once. I t's packed to the loosely sound-proofed walls with the equipment Automator has built up over his many moons in the hip hop business.

People still don't really know about him and his mad beats. Generally speaking, it allows people to be more creatively free. If that makes any sense. Paris released an indie record. So did Digital Underground. In fact, l even remember when MC Hammer was selling records out of the trunk of his car.

The people who blew up out here, the people who are now considered as big hip hop heroes, they all first started off by doing independent stuff. As you enter, you will see a little bar and a pool table, and you will hear thesound of hip hop and rEtb pumping from the dancefloor round the other side.

Walk across the dancefloor, past the DJ booth, and there's a small set of rickety stairs. If you can climb down them without cracking your head open on the low ceiling, you'll find a little room with a sofa, a couple of tables and some chairs. At one of the tables, a group of graff-buffs will probably be scribbling in their sketchbooks. But everybody else will be looking to the corner where, behind the Technics, the DJ is cutting it up. But why should that be? Why is it that some of the most innovative deckmen around are gathering at this tiny club every Tuesday night?

And scratching has been big since the beginning. I think one of the reasons is because of the Asians, Philippinosand Latinos. They've helped keep it alive. He believes this results in a friendly competitiveness and a constant raising of standards. Q-Bert, meanwhile, applies this philosophy specifically to DJing.

Everyone goes home and starts practicing that style, then they'll make their own style and so it just keeps growing from there. It's always interesting and never the same. Everybody's going in different directions at the same time. It's like seeing your mother dissolve into alcoholism. After a while, you feel the only way it can change is through tough love. We only care if it's slamming to us. The famed White Island. The home of summer clubbing. The last bastion of messiness.

In the hope we might learn something, we persuaded three party people to show us the way. Others, of a more tie-dyed inclination, have heard the island's bedrock is made of quartz, a medium ideally suited to receiving alien messages. Hence the high incidence of UFO sightings in the Balearics.

A more recent generation has bought heavily into the myth of a Mediterranean clubland nirvana for beautiful people. Propagated by melodic ambient compilations and easily-led journalists on music bizjunkets, the White Island has transmuted from a package holiday destination into a palm-fringed Iberian paradise.

Think topless babes lolling around passing gin palaces captained by cocaine-snorting Euro hunks with washboard stomachs and perfect tans. For good measure, add the odd house record nothing too heavy, mind.

Throw in a few pills and it even becomes a bit spiritual. Emma, Amy and Caroline were under no such illusions when they booked their Ibizan holiday back in rainy Loughton, Essex.

Forget true romance, intrigue or cultural adventure. Forget reading books beside the pool. Our trio of vertical vacationers are here to escape from "crappy England" and party like they've never partied before. I guess it's okay if you're the sort of person who enjoys playing pass the cucumber.

If you want to go] into San Antonio fora fight, go to shitty clubs like Kaos and throw! But the 1 people ch ucked us out. The maid came in and woke us all up. We were still caned from the night before and we even forgot our stereo when we left. But it s miles better than the 1 dump. We hate the beer-monsters- in-football-shirts mentality you get there. We're into the right stuff, know what I mean? You fucking should do if you're from Muzik.

Behind us, the now! Tonight, the Cafe wins and resident Jose is saluted by an appreciative ripple of applause from the throng of f pre-party clubbers. Everybody is transfixed, open-mouthed, in a westerly direction. It's as if this were some defining moment in the history of mankind, like the Second Coming or England winning the World Cup. Jr I Holiday Clubbing mind the empty bottles of Stella washing off the beach.

Never mind the thousands of duty-free fag ends floating around in waterside pools. There's no marine life left here at all. It died of liver failure and lung cancer long ago.

There is a very peculiar smell, though. It's probably the Franco era sewage system. Caroline, however, holds a totally different view of it all.

I was in tears for two days. It was really terrible. I missed it so much that I had to get a flight straight back here. I really didn't think places like this existed. I had never even been on holiday without my parents before, so you can just imagine.

Along the way, we run across a buzzy and bare-chested Josh Wink. He's here for the fresh air and to d ive off cliffs into the sea. Suitably humbled by endless tales of his hea Ithy lifestyle, we make our excuses and duck into a bar for a swift one. Then it's out, past Charlie Chester and his entourage, into a neighbouring block of flats and up five flights of stairs. A different mix tape blares from every landing. A group of Welsh lads already obviously off their tits wave a packet of Rizlas i n ou r direction.

We're weighed down by the bottles of Spanish beer we've picked up in a dodgy off-licence round the corner. It's to keep our interview subjects talking. Inside the flat, are six or seven girls. They bitch at each other incessantly. The talk is of which clubs to go to tonight and what clothes to wear, of which clubs they went to last night and what clothes they wore. Their accents range from deepest Essex to plummiest Kensington.

Either way, the language is ripe. The plummy one points to a "Cunt Box" by the window. Now, along with the others, she is obliged to pay 20 pesetas every time she uses it. The box is full, she boasts with a coming-of-age pride. And it's only been there since the previous evening.

But something tells us that using naughty words is the least of their worries. There's the plastic washing-up bowl, for starters. It has been sellotaped over a hole in the wall to stop the rat who lives there running around the lounge where three of the girls have to sleep.

Not that the rat is bothered. It just runs around inside of the walls and in the bowl itself. In true Johnny Morris fashion, the bowl is see-through, thus presenting an unparalleled appreciation of Balearic rodent life. Precisely why a rat would want to visit this apartment is, however, open to debate. Dis 9 arded clotbes lie everywhere and dishes are piled UGlUlu in the sink. The fridge is bare apart from our booze, three I PfllTlP nilt hprp bottlesofperfumeandacoupleofeye-linercrayons.

Oh, we nick that from the bars. Things are really expensive, so we've sorted out the cheap places. We buy ou r toiletries at the 1 00 peseta shop up the road. We spend hours in there. There is a food shop there, too.

We don't eat in the West End because the food's shit. You have to be careful because there's some dodgy stuff out here. We usually just go for beans on toast. Ten minutes later, after a quick trip to the grub shop, dinner isserved. Pasta covered in uncooked sauce straight out of the jar, white bread, margarine and a bottle of vodka. Anything to stop us thinking about the rat. The strip is packed. Fat birds with white legs clatter around in turquoise stilettos as they try to get away from balding blokes wearing Newcastle United shirts.

It's good clean fun, though. After all, a decent fight is only a barstool away. Emma, Amy and Caroline are not impressed. We offer Es Paradis. We gain entry with a litre of vodka disguised as a bottle of mineral water, which is just as well because the drinks prices are frightening. Emmaskanks a German guy for a lager with a little smile and a peck on the cheek, and he spends the next couple of minutes circling like a vulture.

She eventually tells him to piss off. He just takes it as a compliment. Most men bore me and Spanish men are the worst of them all. They're constantly trying to put their hands up your skirt. No, we didn't sleep with him, but there are some girls who will. Like the girl at the Manumission party who shoved a bottle of champagne up her crotch and popped the cork into the crowd. She must have been a professional entertainer. In a way, that's the trouble with Ibiza.

Nothing shocks you in the end. Everyone's smiling and you get these mad Spanish trannies in huge platforms. You could go there in a see-through bikini and nobody would look twice.

Another time, I dressed up as Benny Hill and ended up sitting in a paddling pool for hours. You can do whatever you want in Ibiza. That's what I like best about it. If they find somebody with 10 pills on them, they might let them off or they might decide to send them down for a few years.

Putting your day-to-day life in order through a process of quiet contemplation. Someone else reckoned that true travel is only possible in the mind, not by visiting far-off countries. Both sentiments seem relevant to a generation of pleasure-seeking clubbers who have been everywhere and are going nowhere. For many, itseems as though travel has become little more than a cheap fix, a temporary escape for cosseted lotus eaters who, in another age, would have happily settled for a pint of gin or a cheap hooker.

In short, it's a cop-out, a pipe-dream. It's not really busy any more and they have started playing drum 'n' bass down at Mambo.

You go down the West End and the only people there are the ones giving out flyers. As for Britain, well, you can lose it badly when you get back home, but I want to sort my life out. I want to go to college and find myself a decent job when I leave. I want to do media studiesand become a music journalist. I keep delaying my flight back to Luton. Ifyou spend a long time in this place, it changes you beyond recognition.

My mum probably won't let me get through the door when I go back. That's why I'll be flying straight to Goa. Tuesday 3rd Soplomber Amnesia. Thursday 26th September Ultimate Bass. Saturday 28th September Rave City, Germany. Tuesday 1st October Askelon, Israel. Les Ryder, Trevor Rockliffe. Wednesday 2nd October Oberhausen, Germany.

Friday 4th October The Arches, Sheffield. Saturday 5th October Lisbon. Friday 11th October Cardiff University. Saturday 12th Octobor Scream, Plymouth. Friday 10th Octobor The Pod, Dublin.

Carl Cox, Paul Bleasdale. Darren Emmerson, Les Ryder. Saturday 19th October Cream, Liverpool. Nick Warren, Les Ryder. Thursday 24th October Rex, Pahs. Carl Cox, Lauront Gamier. Saturday 26th October The Arches, Glasgow. Cart Cox, Paul Bleasdale.

Darren Emmerson, Nick Warren. Monday 28th Octobor Sutra, Bhstol. Wednesday 30th October Newcastle University. Friday 1st November The Academy.

Cart Cox, Les Ryder. Darren Emmerson, Eric Powell. Saturday 2nd November Quo Club, Birmingham. Friday 8th November Warwick University, Coventry. Saturday 9th November Essence, Nottingham. For further details about the Ultimate Cream Tour call 01 51 A! He is the year-old French guy who has taken the melodia and mellifluousnessof trance and brutally shoved it into a dark underworld where a never-ending spin-out trip is just around the next corner.

A world of extreme trance terror, a world as bleak as the most distant black hole, a world as dark and murky as the outermost reaches of Hades. The instant trance toppings and the trippy cliches of old-school Euro and standard Goa are definitely not for this man.

The full 16 minutesof Top's new "Spherique" single, on which radioactive lines pulsate like some alien frequency over brooding, knife-edged, rolling hi-hats, is terrifyingly good. Once immersed, forever scarified, the track is the sonic equivalent of spending a night in Amityville on some seriously bad acid. The man himself rarely gives interviews and refuses point-blank to be photographed.

A French Mad Mike Banks, perhaps? All he will say is, rather vaguely, "No publicity, no advertisement for my old label. I have many problems with this. Dip into his back catalogue and you will u ncover moments of devastating minimalism. A dangerously simple, single-track intensity, the bulkof the tunes unfold over what seems like an eternity, allowing for total immersion. And just when you think you're comfortable, the title cut breaks down into near-nothingness and "Replay" pushes the to insane levels of high pitch.

For me, though, it's a personal trip, maybe sometimesa forbidden picture from my childhood. Life is too sad. Electrification is only a heart i pe. All most people via a chrome chute sofa And it's here Top defies convention, society even, by im mersing himself in the art of weirdo sampling. It's just that I prefer my own sounds. It will be mental, but not in a crazy way" , as well as setting up another imprint, Electret, wf ich will offer half electro, half what he describes as "loop mu sic".

Drug music for all the fucked-up childrer of this electronic demi-monde. But what about EmmanuelTop's personal drug intake? These days, I try to smoke with my music. All your clubbing needs in a whizz round. A rain -drenched place where got Its and rockers: The stereotype view ol this West Yorkshire city is one which refuses to fade, no master how hard the locals try.

Hle proudly confirms this is indeed house central and that all other forms of dance music are practically nonexistent. We are immediately faced with a police roadblock manned by officers decked out m riot gear. This kind of violence is not a normal occurrence, we arc later assured. As we approach the club entrance which is situated down one of Leeds' numerous shopping arcades , the doorman's eyes are fixed on our feet.

Norlhwavcs and Vans are apparently not dc riijUQur. We eventually manage to blag our way in to discover that fluffy bras and fat boys in whit e sliL shirts are. I laving spid that, the venue isn't exactly rammed, the lack of students being used as I lie catch-all excuse. Indeed, the "summer holiday" becomes the scapegoat for every lacklustre event this weekend. I he Pleasure Rooms is designed like a rabbi I warren, with corridors opening on I onto the dancefloors and barareason the three floors.

Only Iwo of them are open tonight and the clubbers seem less than excited at the prospect of a Jeremy Mealy set. As it turns out, Mealy is stuck in Middlesborough and tonight is another ol the man's infamous "no show" events. Although Vague has closed down or the summer, it's rumoured to he reopening at The Warehouse in October.

Nothing is confirmed as yet, though, so 1-Spy are determined to make the most of it by pushing its "gay- friendly" policy on flyers. NATO itself is a nightmare of clashing designs. Gothic corridors with fake torches on the walls lead to the foyer, where punters arc circled by iron busts of imaginary Egyptian figures.

The centrepiece boasts four Nubian slave women standing back - to-back in a circle, their arms aloft to hold up lights. Up Yer Ronson TheOrl Willi lots of chrome and steel on show, the main dance room looks a lit lie like an mil-lake I mm a trad Eighties cyhci punk movie, As a result of the main mis used, the sound is unbearably tinny, and only a full house can soak up the Metric and bring out the lull power of this system.

Up in the 1 1 moth, Daisy M Havoc have to battle hard to gel tonight's atmosphere cooking. But it's next dnorin I he "Ironl room" where I he designer a loose term basically gone to town. Every known cliche lo eon temporary clubbing is crammed inlo Ibis area.

Which means a complete mess toyoti and me, Still, at least the music makes up for it. I I Bcv's selection ol deep and Imiky hip hop tunes delighting Hie post-goalee cool eiowtl.

Luckily, Leeds boasts an excellent array of slurps within its many ai cades. For record buying, you will probably need to comb the city a little more. I lie most popular vinyl outlet is Eastern Blue, which features three rooms selling rHh and hip hop, techno and house and, finally, dr uni V bass. When Dream attempted toohtain a legal licence, llicy were forced to go legit loi a while, resulting in the demise of the station when Ihe licence concerned was awarded to the consortium of businesses acting under the franchised bannerol Kiss I M Steve maintains the loss of Dream I M has affected Ihe city in a negative way.

He believes that most people are now only interested in the nunc commercial rccoids they hear at the better known clubs, lie even goes so Mil as In suggest I eeds lost its right to that "capital of UK house" lillcnvci a ye.

The most famous is probably Bar Basies, which opens op onto the l eismc Rooms. Some ol the people we spoke to suggested llicy prelci logo to l he hat and not bolhci with the club, as Ihe former maintains a much Iriendfiei almuspheie. Closer lo the University, Ihe I avershnm is a pub which thinks like a club.

Willi a range of Uls covering bouse, techno and drum TT bass, it is a big diavv lot students and locals alike. Such is the lav's inlamy that the "I lux" IVshow was filmed heic, with 1 1 1 Biikem playing a superb set lm the cameras. When we ai live, it's absolutely packed. Whatever the reason, we are forced to over-excite the smoke machine in order to escape the gangs of burly lads who are equally insistent on getting Iheir faces immortalised in print.

Now moving off in search of Leeds' much-claimed hour cosmopolitan energy, we head for an after-hours joint called Casaloco. Formerly known as Bedrooms, this most salubrious of dives presents an early morning dose of hard house for the still wired clubbers. Unfortunately, the security won't let us in with a camera, fearing for the anonymity of their clientele. We decide lo give the place a miss.

It will also no doubt be more willing to allow r. Many of the people we chatted to believe the house monopoly is slowly being eroded by the more freestyle approach. This idea is backed up by the rumour that Up Yer Ronsun are planning to open a Heavenly Social-style room. In the meantime, there's always It's Obvious, which takes place once a month at The Warehouse, although such is the demand that the night might become a weekly event in the near future.

Just about everywhere we went, we were told bow good the club's most recent night was, with a range of teclmo, drum 'n' bass and dub tunes rocking the house. So don't be surprised to find a barbecue going on, some trapeze artists flying around or even the odd DJ playing in the toilets at one of their nights. Another recommendation is The Dubterrancan, an old cafe on Hyde Park which has been turned into a venue.

Offering a multitude of different styles, Including downtempo trip hop nights, the occasional drum 'n' bass event and lots of techno, The Dubterranean is a vibrant and creative environment with the ambience of an Amsterdam squat. Remaining open until Gam, it is invariably frequently used as a chill-out space.

Oh, and the food is as good as the sounds. The activities of the d. Previously held on a Wednesday night, d. You'll hear drum V bass at Exit 9, too. The idea of this dub is to break away from the typical admission and bar prices, to promote underground and bedroom jocks, and house events in lots of different venues rather than simply endorsing one host.

II might boast some of the best-organised, corporate-minded joints in the country, but it also offers some excellent grass roots adventures. There's something for everyone, as the saying goes. Whatever the approach, one thing is crystal clear. Club life in Leeds is sure to grow in all directions, with "quality" being the important password.

As vve leave the city, a couple of posters grab our attention. The second is a headline stock on a newspaper vendor's box which simply declares, "City Police Hunt Killer Heroine". Two bytes from a city which seems to thrive on opposites. Hard Times residents, Paper Music supremos, motor-mouthed maestros and legends in their own lunch boxes. As DJs, they've played their tough blend of cool garage and killer deep house to audiences everywhere.

From Portugal to Plastic People, they've rocked it. They run the Paper Music label and have forthcoming releases from a couple of Welsh geezers and a house outfit from Norway.

Oh yeah, they're also residents at some club in Leeds called Hard Times. And they're not exactly shy. How did you guys get started? I wasn't DJing when I was 1 3, like every American you read about.

Playing records for your gran isn't your first gig. Going to a club and getting paid is your first gig. It wasa kind of buffet. So we'd go to the bakers and buy lotsof old pasties. A big fucking box of them for a quid. We did one which was supposed to be a picnic. We wanted to get astroturf, but it was too expensive. So we used a green rug. We made some cardboard clouds, too.

Some of them were great, though. Wejustdidourown thing and carried it off without compromising. The promoter said it wasas mad as when Healy played. Which makes you think the situation may change, that cheesy house will eventually die and other styles will come a long. The lowest we would go is three and the highest is seven. We've got a big club, so we can't be too choosy. We don't have to open with cheesy records.

That is not why punters go to the club. They come for the music and they are generally very open-minded. Mind you, our big logo confuses some people into thinking we're a Cream-type affair. Asuperclub hasa fucking healthy bank balance and lots of nice merchandising. Whereas we don't have any money.

We had to shut for eight months, so how the fuck could we have? Then Pete will come out with, 'Can you lend us a fiver? Loads of good records were ignored just because they weren't fashionable. Just because there was more happening on the eclectic front, everyone was convinced house had died in Manchester.

But there were still a handful of people into it, like him and me and. It's really bad because we've almost singled him out. Roger Sisjust as bad. It'sjust that Roger smiles occasionally. People like Masters At Work take the piss, too. They're fucking brilliant as producers, they're the best, but when they come over here, they take the piss. It's as if they are biting the hand that feeds them.

Todd wanted X thousand dollars and two business-class flights to play Hard Times. In fact, we felt semi-responsible for that 'US DJ charging lots of money in the north of England' scenario. We kind of instigated it.

When we first brought those people over, they weren't working much in the UK. I don't mind paying somebody C2. But when they are here every week, it's like, 'Nah, you wouldn't give that money to Miles and me. Surely they can't all just be after money? And he actually wanted to play.

So Pete called him to say we only had a little money in the budget and just left it at that. Then Roger called back and said he'd do it for less than usual! That's kind of situation sorts the wheat from the chaff. The thing is, we've only released three records, so there isn't really anything to talk about. Two by us, one by a French bloke.

It's not like that. Simon gets paid more than us for a track because, in the general scheme of thi ngs, he does more work. Go wild in the country!

number of-selection

If you like the Cherrystones or Finders Keepers compilations you should check this out. Various Artists - Philly Re-grooved 3 18 classic soul and disco grooves remixed and extended by the master Tom Moulton. So what's on it? Well, pretty much all bases are covered, from psyched out funk to awesome indie via folk and country VERY recommended for a sneak peak at some brilliant bands. Dance craze galore and well worth the price of admission.

It's just about as perfect a representation of today's scene as you can get from two of Europe's best DJ's Soulinus and Pun. From heavy funk mayhem, Tru-Thoughts style beaters, jazzed out dancers and hungry head nodders it's a real mix of quality tunes. Various Artists - Baltic Soul Weekender vol. Various Artists - American Yodelling 26 track extravaganza of early country sounds with yodelling.

This is the real deal, with it's roots firmly in the jump-blues camp, it's a raunchy look at the ofter overlooked beginnings.

Various Artists - I Smell A Rat If, like me, you're a sucker for jump blues and the authentic early rock'n'roll then you'll be shocked at how good this follow up to the first volume is This is the absolute business!!! Various Artists - Reggae Gold This is the collection for summer guys and girls. Series 2 Choice cuts from this spectacular compilation, spanning through psych and freakbeat to dance floor soul: Various Artists - Songs For Desert Refugees A benefit album aiming to raise funds for refugees in and around the rural communities of Aguel'hoc and Tessalit in the north east Mali.

Includes rare or unreleased tracks by some of the world best known Touareg groups, from Mali Tinariwen, Tamikrest, Terakaft, Tartit Various Artists - Jammy's From the Roots '' Various Artists - Bobby Konders - Massive B Bobby Konders selects and mixes over 40 classic 90's ragga dancehall anthems on one disc of complete mayhem Various Artists - Greensleeves 12 Greensleeves Records continue their series of compilations of 12" singles from the vaults.

Featuring Gregory Isaacs, J. Lodge, Shabba Ranks, Papa San and more. Various Artists - Greensleeves Spring Sampler 08 More Reggae action from one of the big reggae labels gives us 12 tracks of their biggest tunes. This one focusses on the dancefloor dimension of the label, and is a double CD set featuring a mixture of label highlights and new material.

Without question one of the most consistently exciting labels of recent years - this is one anniversary worth celebrating Various Artists - Northern Soul's Modern Monsters Collector's soul sounds, super rarities, classy curios and an unissued legend, a dancer's delight. Jumbo's Matthew Bradshaw says "Squirrel records give us an amazing compliation A labour of love and hard work, a taster of their undisputable good taste, and what a taste it is Groovy garage, synthetic pop, indie rock and more Various Artists - Nice Up the Dance - 'Studio 1 Discomixes' Includes eight of the most sought-after extended releases from the studio one label.

Each song includes an instrumental portion after the vocal section for a music extravaganza! Various Artists - 5: In this period Hyperdub has set the pace for electronic music, releasing a truly groundbreaking series of vinyl singles as well as essential albums by Burial and Kode 9. One disc of back catalogue and one disc of previously unreleased material. David Holmes Volume 3 in the series of compilations from the splendid Finders Keepers Records' back catalogue, in aid of stock lost in the warehouse fire.

Guest compiler here is David Holmes who picks out a mixed bag spread over 12 tracks. Zola Jesus And Prefuse 73 Another lovingly compiled compilation to raise funds for Finders Keepers, show your support as this is full of fantastic tunes. Various Artists - Hessle Audio: Hype Williams and more Jumbo's Adam Gillison says "Trevor says you shouldn't really be without this incredible compilation if you are into classic reggae.

From dubby electronics to quirky headnodding rhythms. Second CD is unmixed. Bunny Lee was one of the key rocksteady producers and this compilation shows why Various Artists - The Microcosm: Drawing from major label budgets and homemade cassette distributed circumstances alike, The Microcosmdemonstrates a depth of peace profound to behold, and clearly expands the boundaries.

Various Artists - Welcome To Zamrock! By the mids, the Southern African nation known as the Republic of Zambia had fallen on hard times. Conflict loomed on all sides of this landlocked nation. Kaunda protected Zambia from war, but his country descended into isolation and poverty. This was not a likely scene to survive - but it did.

Footswitch, Amanaz, Ngozi Family and more, along with a hardback book chronicling the extraordinary story of Zambia's rock scene in the s. Clearly the result of a huge work of research, the book also includes many pictures of the artists and the records.

Various Artists - Now We Are Ten Trunk Records is probably the premier label for unearthing lost soundtracks, library music and musical oddities. There's seven previously unreleased tracks and a booklet with the history of the label. Various Artists - Hear, O Israel: Re-issued by Jonny Trunk on his 'Jonny' label.

Various Artists - Refined Lard: A Trunk Records Sampler 30 track sampler from the brilliant Trunk label, compiling stuff from physical releases and rarer material. Mixing spoken word, nostalgia, music from adverts, electronica, folk, jazz and field recording, this is a perfect introduction to the weird world of Trunk as well as being the compilation CD you wish you'd made.

Great modern soul on offer here on the mighty Jazzman label compiled by Fryers, this is an absolute must. Various Artists - Jahtarian Dubbers Vol. This contains Jazz, house, funk, disco, dub, techno and african music all mixed together in a seamless fashion that tells the story of his musical influences - no fillers or duff mixes just pure class!!! Various Artists - Foals - Tapes mix which is eclectic, pop, deep, druggy and heavily influenced by the spirit of the early house scene shown by inclusion of the originators, Marshall Jefferson and Arnold Jarvis and the modern day benefactors like Julio Bashmore and Tanner Ross.

This time we have Digitalism on the decks, the majority of the chosen music is from friendly associated labels and producers, cleverly mixed up with tracks by models of the past.

A look at the ground breaking experimental rock music made in Venezuela and created in the s, during a time when the country was both a modern cultural and economic powerhouse in Latin America on account of wealth from its vast oil supplies. Whilst much of s Venezuelan rock music emulated British and USA styles, the s saw the evolution of a new generation of creative artists such as Vytas Brenner, Angel Rada, Pablo Schneider and Miguel Angel Fuster, who all explored the possibilities of mixing together rock with elements of electronica, funk, jazz and Latin rhythms simultaneously exploring their links with Venezuelan roots music.

Various Artists - Augustus Pablo Presents: Melodica masterpieces, deep dubs and classic vocal sides from the likes of Delroy Williams, Earl Sixteen, Te-Track etc. This is strong stuff Various Artists - Senegal A real unique experience that's perfectly visualised. Various Artists - Music Happens Here Brilliant collection from Leeds College Of Music, focusing on lots of different styles and showing off the fact that LCM has been forming musicians of the highest calibre for years now This is a multi genre'd treat packed with future stars.

Once you've heard it you'll understand why. It also includes three tracks from forthcoming releases from Volcano! Various Artists - Level Plane Records: Packed with soul, funk and even funky rock sounds, this long-lost treasure-trove gets the collection it deserves. Various Artists - Listen, Whitey! Jazz, soul, spoken word, folk. Plus a generous booklet of images and sleevenotes As a bonus you get a second disc featuring all the Lo Dubs 12" releases to date.

They come from all over the world, from Mexico, Italy, Mexico and Nigeria with plenty stateside too A fantastic tribute to the funky funky man himself. Various Artists - B9 Bis: Belgian Cold Wave Re-issue of 's 'B9' compilation bolstered by extra tracks and a ton of sleeve notes. This is like a 'Messthetics' of Belgain post punk and electronics Various Artists - Auteur Labels: Factory Records This series profiling classic post punk labels continues with a slice of the legendary Factory Records.

Various Artists - Grace Records: Comprehensive liner notes track-by-track also included Various Artists - In-Kraut Vol. Pure soulful dance tunes from the 'ol skool' days. Various Artists - Soul Galore 2xcd's with 40 tracks at an incredible price covers more than 25 years of music played at Wigan Casino.

Various Artists - Messthetics This is like a 'Pebbles' for the era. Various Artists - Messthetics We don't know any of these groups, and you probably don't either!!! Unless you were in them!!! Various Artists - Messthetics Greatest Hiss The theme this time is the post punk DIY cassette scene with its democratic and innovative approach to music making and distribution that has reverberated through the years, but mostly remained under-celebrated Various Artists - Very Best Of Ethiopiques This is the unique sound of post - war Ethiopian soul, jazz, blues and big band collection, includes 28 cuts compiled from 27 volumes featuring the very best cuts from that series.

Highly recommended, you will be amazed by the hypnotic sounds featured here, and thinking, why haven't i heard this wonderful stuff before nownow, a truly magical hidden gem! Various Artists - Buddhist Chants Contains contemporary accessible spiritual chants taken from ancient Chinese traditions, ideal for relaxing. Various Artists - Limbo Live Volume One 14 track that very nicely tie the exciting strands of the current Scottish music scene together into a tight knot that just won't let you go All the tracks have been recorded live but the sound quality is superb, i don't think there is one bad song in here, in fact they've put together something pretty special here Various Artists - Silva Debut release from the excellent Miasmah label.

Various Artists - Who? Various Artists - Treasure Isle Presents Original Reggae Featuring 40 essential treasure isle cuts from the late sixties and early seventies. Double CD, 32 tracks, including 16 previously unreleased recorded especially for the project Blind Gary Davis, Leadbelly and more Bongo , at such an amazing price!! Another fantastic mix from the ever mysterious. Balearic beaut's and psyched-out soulful bliss.

A real journey through what must be a cracking record collection and a perfect CD for BBQ's and summer if we get one or not. Bottin Bottin presents a mix of disco, Italo and electro mining some excellent gems including Lindstromm, Space, Telonius and In Flagranti. Easy to see why it's been a swift rise for Bottin Glitchy, Twitchy and Banging Electro-freak at it's best.

Second disc is mxed by Danny Byrd. Various Artists - Electric Blues 50 original blues tracks digitally remastered. Various Artists - Bottleneck Blues - Anthology 50 bottleneck guitar classics by legendary blues masters. Various Artists - Story Of Bluebeat 24 highly collectable and influential recordings from the Blue Beat back catalogue. Various Artists - Very Best Of Bluegrass 75 original recordings, three hours of music, excellent price!

From the offbeat pop of Telepathe, through to the bedroom shoegaze of Banjo Or Freakout's mighty 'Mr. Various Artists - Buttons: Starter Kit 22 track powerpop compilation from the Numero Group label made up of 20 songs from their 'Yellow Pills' compilation plus 2 bonus tracks Various Artists - Eccentric Soul: Stunning Miami soul with a ton of info in the lavish sleevenotes too. Various Artists - Wayfaring Strangers: Guitar Soli This focuses on the private, hidden world of solo guitar from to Various Artists - Don't Stop: Recording Tap Compilation of the Tap label, documenting through a set of recordings dated the disco and funk sounds of the era as well as the emergent hip hop style.

A really well put together compilation with lavish pavckaging Various Artists - Local Customs This is incredible! Comes with a bonus DVD that has an interactive 'vault' for accessing more material, plus documentary film. Smart's Palace Raw soul 'n' funk from Wichita, Kansas.

Some Great tunes on here. Lonesome Heroes Third in Numero's series of privately issued folk from America's back roads Various Artists - Good God! Various Artists - Local Customs: Comprehensively packaged with loads of pictures and sleevenotes too. Various Artists - Wayfaring Strangers Ladies Of The Canyon Amazing and Beautiful collection of obscure female folk and folkrock artists, amazing because we havent heard of these beautiful singers Some sounding every bit as melting as Joan Baez or Joni Mitchell.

Very Recommended with some superb sleevenotes. The Early Years Good rocking rockabilly roll from the fantastically overlooked Northwood label. This British label from the early to mid 80's signed up some real hep cat and luckily they're all on here for your revival pleasure. A great compilation with a ton of notes in the accompanying booklet. Loosely this is blues, but it delves into the string players from before.

Lots of pictures and notes in the accompanying booklet too. Vintage fiddle music Essential listening for anyone with an interest in American folk and roots music. Two CDs with a 72 page book full of pictures and info.

Lots of historical notes, info on the recordings and vintage pictures included in the accompanying booklet. An amazing social document as well as an insight into the rapid exchange of musical influences of the era. Various Artists - Down In The Basement Remarkable collection of blues, jazz, country and cajun taken from Joe Bussard's collection of vintage 78s. Re-issue in a standard package jewel case with lots of sleeve notes. Various Artists - Tres Chic! Unmistakable Joie De Vivre!

Tracks from they heyday of Parisian cool. Jazz legends and French music icons. Various Artists - Turtle Records: Pioneering British Jazz Between Peter Eden produced 20 albums across the broad church of progressive British jazz. Three were released on his own label, Turtle Records, in , all now regarded as classics.

These are reissued here officially for the first time, remastered from the original tapes. Otherworldly, experimental techno - literally post-club sounds. A great value overview of the Leeds scene!

Various Artists - Songbook Vol. Various Artists - Soca Gold 18 track comp Various Artists - Various Artists - Freestyle: The Art of Rhyme explosively documents the world of improvisational Hip-Hop, providing and authentic look into the life, music and history of this underground culture. Packed with rare and archival footage of some of the most amazing hip-hop MC's ever to bless the mic!

Various Artists - All In! This time we have The Do's, Fur Blend and Clandestines all giving us 2 tracks each and brilliantly vying for our musical attentions! It's beautifully packaged with a fold our cover and 3 tiny CD's but the real excitement is what you'll find musically Carl Bradney's 'Slipping Into Darkness' has to be heard to be believed! A great introduction to some of the new talked about local heroes of the moment.

Pure Plumptonian goodness for sure. For the last 20 years, the groundbreaking Stones Throw Records has earned a reputation as one of the most original and influential independent labels in the world. Our Vinyl Weighs A Ton: This Is Stones Throw Records, a documentary directed by Jeff Broadway, weaves together rare concert footage, never-before-seen archival material, inner-circle home video and photographs, and in-depth interviews with the artists who put Stones Throw Records on the map.

Our Vinyl Weighs A Ton gives an exclusive look into the label's left-of-centre artists, history, culture and global following. Various Artists - Deep Ska 80 original ska classics comes with a fully illustrated 24 page booklet. Various Artists - Every Mouth Must Be Fed A collection of easy skanking early roots from the Micron label, which was way ahead of its time before many jumped on the rasta bandwagon dealing as it did with production, pressing, promotion and distribution Pressure Sounds is pretty much garaunteed mark of quality Various Artists - Excavated Shellac: Strings Compilation featuring an array of stringed instruments from around the world, including music from America, Bolivia, Iran, Norway, Lebanon, Uganda, Vietnam and more.

Some stunning recording on here from the early days of the recording industry. Various Artists - Luk Thung Wonderfully restored lost treasures Traditional Thai 'Country' music without the cowboys Translated Luk Thung means 'Children Of The Field' and it's basically songs of love, loss, beauty and sadness all done to using a hybrid sound of traditional instruments, rhythms and pop music from Thailands past Various Artists - Pulse Of New York New York's vibrant post punk, no-wave and punk-funk scene is mined out for its dance floor aesthetics Now they turn their attention to the flipside of this musical coin - New Orleans soul.

Various Artists - Punk Various Artists - Andy C: Various Artists - Ramp 50 Ramp Recordings reach number 50 with a retrospective showcase of their genre-busting and relentlessly forward-thinking approach Various Artists - Rise Up!

Shoegaze, industrial, dubstep and hiphop merge into new hybrids with vocals buried amongst layers of dirty synths and noise. Various Artists - American Primitive Vol. Raw early twentieth century gospel from the collections of Gayle Dean Wardlow and John Fahey, plus booklet with notes by Wardlow and Fahey. Various Artists - African Blues Wow! The root of blues music traced back to it's early African origins, and straight away you can see just how much the early blues men owed to these rhythms.

Missing out on the 'revival' by a couple of years This is the London-based relative of bassline house, reminiscent of UK garage with rhythms somewhere between house and dancehall. Various Artists - Rinse 11 - Oneman Oneman tears the roof off with a defiantly clubby, ravey mix focused on funky house and dubstep.

Various Artists - Soul Shaker Vol. The album bridges the generation gap by including sounds old and new that share a similar aesthetic - rough, experimental, punky, but resolutely groove-based. Features 29 tracks of talented female 60's pop beat singers from legendary producer. The singles anthology , every A and B side. Bringing together Sun Ra highights from over 25 years of music, the album is the first internationally released compilation to provide an introduction to the music of Sun Ra, curated personally by the Arkestra and mastered from the original tapes.

Various Artists - Trojan Presents Ska 40 of the biggest foot-stomping sixties Ska hits that would go on to inspire the 2 Tone generation. Various Artists - Great Rockabilly Vol. If you want to shake off the prejudice that somehow the British rock and roll was the America's poor cousin well this proves it!

Novella - Land Gone 3. Joel Gion - Divide 7. The Chessmen - Gonzo 9. Psyence - Zebra Fi-Lo Beddow - Mother Chariots - God Only Knows The Myriad Synonym - Psilocybin Express What are you waiting for?! Various Artists - Kenya Special: Now comes the latest release from Soundway's acclaimed African 'Special' compilation series, featuring 20 extremely rare recordings from East Africa, an area barely touched by modern compilations.

The featured songs on Kenya Special: Volume Two bend the rules, break away from existing genres and sometimes experiment with foreign music trends.

The approach to musical rediscovery behind Kenya Special: Volume Two has its origins in a youthful movement of vinyl collecting as well as, to some extent, club culture.

Various Artists - Warped Tour Compilation 50 bands, 2 discs Z Records continues to release high quality compilations filled with lesser known disco, funk and boogie. Instruments cranked up through amplifiers powered by car batteries and played through megaphone speakers.

These recordings resonate with a passion and energy that cannot be done justice here! Not to be missed. Made in , Sublime Frequencies went to the region during the weeks leading up to the volatile Uyghur uprising of The music here displays several unique varieties of traditional Islamic folk music with traces of Arabic, Persian, and Turkish influences heard throughout. Here, we present a soundbite spanning the clubs 8 year reign, and both of its venues.

Various Artists - Tales Of South African Jazz A colourful selection of music from South Africa - a country where Jazz music is culturally significant, and still popular with people from across racial, cultural and economic divides.

Various Artists - New Orleans Funk This is an ace compilation with some really raw, dirty roots of funk Professor Longhair is the man and there's an ace track that you may realise has been ripped off recentley. All the boys are here! Well done Soul Jazz. Various Artists - Dancehall: Full of ska and rocksteady from the greatest names in reggae Delta Swamp Rock is an interstate southern road-trip through the United States of America where country, rock and soul met at the crossroads - an exploration of the musical and cultural links between the cities of Memphis, Muscle Shoals and Nashville in the s and 70s.

AND this CD version comes with a lovely 50 page mini book! Sleevenotes by Lloyd Bradley. Rhythms that you recognise are refreshed with some damn fine vocals. Definately one for a party vibe Includes limited edition graphic novel by Pailo Parisi. Various Artists - Savage Kick Vol. At last this legendary series is available again And boy o boy it certainly had me jiving.

Very Recommended and fave amongst jumbo staff. Various Artists - Nigeria Special Modern highlife, afro sounds and Nigerian blues inna new meets old fusion style features original and previously un-issued obscure tracks- irrestible african grooves. Combines the knowledge of five years of digging into a forty page book and two CD's Recommended to the max! This collection slaps you right in the face and demands attention Various Artists - Nigeria Special Volume Two seemed a creative time in Nigeria, probably because the long and bloody Biafra had at long last ended.

With that i suppose a new found reason to finally celebrate must have erupted within Nigeria music.. This compilation concentrates on the Afro-beat, Nigerian Blues and Modern Highlife sounds that were being recorded.

It's a perfect follow up to volume one and the last in Soundways amazingly researched Nigerian series of albums Various Artists - Ska Madness Binging together 20 tracks that inspired the two tone generation Various Artists - Northern Soul - 20 Original Classics This collection of 20 Original Northern Soul classics provides the listener with an overview of the black American soul music sound which swept across England in the late s, and in many respects still has a large influence today - Amy Winehouse, Duffy, Eliza Doolittle etc.

Various Artists - Ska Madness 2 Another 20 reggae classics that inspired a generation! Picking up from where volume 1 left off, Ska Madness 2 takes you further into the late 70s and early 80s Two Tone Ska, Rocksteady and Reggae Explosion. Various Artists - Motown Funk 16 pipin' hot funk tracks. What a lineup - this reads like a who's who of the era's top talent: Classic tunes, a great sound Various Artists - Foundation Dub 40 hard and heavy sounds many tracks previously unavailable on cd, excellent price!

Various Artists - Trojan Ska-ing West 40 original Jamaican classics from the golden age of ska, 18 killer tracks 'new' to cd, amazing value! Various Artists - Sounds And Pressure: Mod-Reggae 40 Jamaican mod favourites from the Trojan archives including 3 previously unissued recordings and 14 tracks new to CD Without a doubt this is one of the best reggae compilations for years Various Artists - Melody Life: Trojan Sisters This collection brings together 40 of the rarest and most sought after tracks by Jamaica's leading female vocalists of the sixties and seventies - and most of these recordings have been unavailable for decades Various Artists - Trojan Presents - Dancehall Emerging in the late seventies, dancehall returned Jamaican music to its roots.

This crucial collection features 40 of its greatest hits performed by its biggest stars. Various Artists - Trojan Presents - Ragga This collection traces the development of Ragga from its very beginnings through to the mids, highlighting some of its biggest hits along the way Various Artists - Motown Floorshakers 40 northern soul classics This set highlights many of the biggest hits from the golden age of the Rock Steady years, with every track featured a major Jamaican hit from the period.

Various Artists - Top Deck Presents Ska Instrumentals 40 of the greatest ska instrumentals of all time, courtesy of one of the most revered Jamaican music catalogues of all time!

Various Artists - United City As a positive attempt to bring some great bands to your ears, this two CD compilation more than succeeds, with absolutely shedloads of bands, new and old, contained within. Kerr, Kid Id and Frankie Eisenhower.

Various Artists - Nut Boppin' Whoppers! Exclusive track from The Real Losers, plus a couple of hard to find gems Double CD set back in stock! This volume is dirty rhythm and blues, jump jazz, bop, blues amd plain great music!!! Recommended to the max Another great addition to the now cult zine that introduces you to some great, and more importantly varied, music.

From blues rocking to indie bopping this harks back to the classic fanzine days of introducing us all to a hotch potch of musical styles. Various Artists - Las Vegas Grind Volume Two Louie's Limbo Lounge Striptease sleaze with this 20 track collection of exotica, grind, raunchy rhythm and blues, saucy instrumentals and dashes of debauched rock and roll.

You NEED this album. It's long out of print and it heralded the new wave of burlesque to the masses. This is Jungle Exotica Music to strip to..

Music to shake to and a fine selection of desert island discs this is too!!! For those who like their rhythm and blues HOT and their rock and roll cool You'll not find guitar licks like these from anywhere else Stones Throw has always gone it's own way, regardless of genre's and trends and it's also taken HUGE risks in investing in artists that are pretty out there, but in the end their taste has always been proved to be right. Thanks so much Madlib and P. Various Artists - Peanut Butter Wolf Presents Stones Throw Ten Years The Stones Throw label has been a cornerstone of modern hip-hop putting artists out there that have really upped the game and moved the sound into whole new directions.

This compilation is a tasty sampler of the Stones Throw sound and as such is absolutely great Various Artists - Dual Form Stones Throw Records teams up with the usually cassette-oriented Leaving label for this ecelctic collection taking in electronica, leftfield hiphop and other transmissions from the fringes.

Some very fine stuff on here Various Artists - Glitterbeat: Various Artists - Don't Be Bad! The maverick producer immediately threw out a cattle call for the next bunch of teenage longhairs who could deliver him a hit. The packed booklet spills the full beans on the amazing contents. Various Artists - Fac. Various Artists - Contemporary Soul Songbook vol.

Various Artists - Ric-Tic Relics vol. Various Artists - Dubstep Allstars Vol. Daddy G, Benga, Skream and more. A visionary mashup that is dubstep at heart but drawing from grime and dub poetry too. There's loads of sleeve notes and a map of the links between garage, jungle, breaks, electronica, grime and dubstep. There were soul singles aplenty and, as the year progressed, a deeper investment in the proto-psychedelic rock that we now know as garage.

Ten good solid indie songs all for five pounds!! Twisted electronics to straight up house twists. Various Artists - Now! Various Artists - TNS presents Another belter from the soon to be legendary punk label TNS Records All top notch skacored brilliance.

Recommended and if you hurry you may even get your hands on one of the FREE fanzines they're giving away with it. A great compilation from a great hardworking label. Various Artists - Puppy Love Excellent year anniversary compilation for this most ecelectic of indie labels. Various Artists - Quantic Presents Flowering Inferno - Dog With A Rope Quantic seem very adept at nurturing up some special tunes from the seeds of artistically creative and culturally real musicians and genres Various Artists - Shapes Triple CD set 70 Tracks of American roots sounds from the depression era.

A gigantic triple CD 80 tracks uncovering of archive twentieth century gospel, packaged with track by track sleevenotes. Three CDs and track-by-track sleevenotes on the excellent Tompkins Square label Various Artists - Imaginational Anthem Volume 6 Sixth volume in this series on guitar players connected with the 'American Primitive' style This volume marks an interesting diversion, being an exploration of the very origins of the style, as recorded in the ss. Various Artists - Theme Time Radio Hour - Slipcase Collectors of this magnificent series can now purchase a box to house all three volumes.

From Owen Gray to the Aggrevators. Compiled by Marco Resmann, the first disc features new, previously enreleased tracks, and the second is built from the label's back catalogue. Various Artists - Highlife Time Highlife, that sound that ruled the dancefloors across much of West Africa before the early seventies The story of West African big-band Highlife also mirrors the story of West African independence itself.

These artists have been brought together in this fantastic 4 CD set. This is like a map of the roots of rock'n'roll music in the first half of the twentieth century. A great concept and beautifully put together. A variety of styles covered - blues, country, bluegrass and jazz - and all packaged with detailed track by track sleevenotes. This is a collection of 'devil' related songs from the s to the s. Various Artists - Lost Highways: American Road Songs ss Basically a great American road movie of a compilation through blues, rock'n'roll, country and gospel.

Various Artists - Protest! American Protest Songs This is good - very good. Nicely put together with lots of sleeve notes too. Various Artists - Channel 1 7 Seven 7" box set of recordings from Channel One, tracks originally released Various Artists - Reggae Gold Double disc compilation featuring 27 tracks in total of the best reggae about!

Also known as the reggae Godfathers. Disc 1 spans from and disc 2 from Double CD, 30 tracks. Various Artists - Brazil Classics 7: What's Happening In Pernambuco? Various Artists - Wow, Wow, Baby! Deep research into the archive has brought to light some tapes and acetates that were feared lost, plus several previously undocumented goodies.

Various Artists - Classics Various Artists - Lovers For Lovers vol. Various Artists - Dore - L. Soul Sides Group harmonies, Detroit style dancers and Southern ballads. It mixes up classic hiphop with quirky pop tunes, spoken word and enough fun to power a city. It's that sense of fun that drives it so well and i highly recommend you check it out. Well done White Eyed Tigers Various Artists - Black Hole: By turns raw, weird, angry and melodic, the energy and the evolution are here across 26 tracks.

Various Artists - Rockabilly Psychosis Totally manic rockabilly and garage punk on a compilation originally released in and influence SOOOO many people, myself included, into realising that punk originated way before Awesome savage stuff that everyone should own. Informative sleevenotes and a killer clump of worldly wonders And it's on the stereo right now! Various Artists - Stuff That Dreams Are Made Of 46 super rarities - classic performances of early blues and old country music from the s and s, including two never heard before selections by Son House.

Beautifully produced box that looks like a paperback book, and an illustrated booklet inside. This one focuses on the ss, drawing together disparate strands of the city's musical development. Various Artists - Keepintime: A live recording "Keepintime" - is a unique journey in rhythm. It includes some rather tasty and rare remixes too. Various Artists - Ninja Cuts: Various Artists - Zen: A Retrospective Ninja Tune's reputation is unparalleled and this compilation neatly describes its story and its sounds trip hop, hip hop and turntablism to date.

Double CD, 32 tracks. Various Artists - Planet Mu Records One of the best and most dynamic electronic labels of recent years celebrates its th release with this hefty 26 track compilation. A Compilation of sounds from Chicago's Footwork scene. Broadly speaking elements of hiphop, house, international bass underground with fiercely chopped samples whirling into infinite levels of repetition.

Instrumentation is banjo, mandolin, oud, percussion and vocals, powered by car batteries and amplified through megaphone speakers. CD edition of these extraordinary recordings via Sublime Frequencies.

This is a wonderful delve into the experimental enthusiasm that simmered through the studio universe of the Standard Music Library.. Various Artists - Rough Guide To Psychedelic Salsa This Rough Guide explores the heady influence of psychedelia on salsa, from the fuzzy tropical guitars of the sixties and seventies to today's cutting edge bands experimenting with weird and wonderful psychedelic sounds.

The capital of North Rhine-Westphalia became the capital of an analogue electronic movement from the early 70s to the mids. Electronic music evolved from the then popular prog rock and became a worldwide genre of its own. Various Artists - Dave Hamilton's Detroit Dancers Especially for lovers of vinyl this gorgeous compilation includes 14 of the best northern soul tracks from the Detroit producer's catalogue.

Reggae fans will be delighted to find these sought after recordings available again. Various Artists - Black Songs Matter Black Songs Matter from Ariwa Records is a collection of tracks recorded over the last 20 years and an ideal soundtrack to Black Lives Matter, offering positive songs with positive messages. Various Artists - Nippon Girls 2 Another journey into the wild world of mid-late '60s gir-pop, Japanese style.

Various Artists - Profile Records Story Chicago was awash in independent record labels during the late 50's and early 60's, hoping to channel the same big beat heat that kept the Chess and Vee-Jay logos on top locally. Complete liner notes enclosed. Various Artists - Greatest Hits of The s was a time of change, and this series selects 50 of the biggest hits year by year from that magical period.

Some of the best loved songs by the biggest stars of the era are featured here. They were entirely unrelated to the American Oriole label. Their deal with Mercury provided success with releases by artists like Frankie Laine, Patti Page, Georgia Gibbs, Vic Damone and Billy Daniels, and by the mid 50s Oriole were actively recording home-grown artists in search of their own hits, which successes are where this compilation is derived from.

Various Artists - Big Box Of Rockerbilly 6 CD box set, no frills, no liner notes, no pictures, no labels, just 6 discs of classic Rockabilly, packaged in a cheerful box! Various Artists - Funky Kingston Reggae dance floor grooves Various Artists - This Is Trojan The ultimate collection from one of the most important record labels ever. Trojan continue to remain relevant whether through movie soundtracks, TV commercials or indeed the dancefloor.

This compilation is testament to a label that holds a special place in hearts, minds and feet of the people and will do for generations to come. In the years since, Andy has continued to live up to his reputation as one of the finest and most creative DJs on the planet, tirelessly digging in the crates and emerging with pure gold. Jumbo's Matthew Bradshaw says "The master is back, showing the newbies how it's done With a wealth of diggin' and DJ'ing experience but without the ego that goes with it, Andy has always been really open and open-minded about sharing his knowledge and his absolute LOVE of music in general through DJ sets, radio-sessions and compilations but has tended to side-step musical fashions and trends and simply continued to take us on his magical musical journey.

Mitch's 'Peace Dubs' concept a response to grime 'war dubs'. Experimental grime tracks mashing Dru Hill, Kate Bush and more into new shapes Featuring Strictface, Loom, Mr. Mitch, and Silk Road Assassins.

Various Artists - Reggae Chartbusters Vol. Various Artists - Trojan Presents Dub 2CD compilation that comprehensively chronicles the first 8 years of Jamaican dub reggae, circa Various Artists - Trojan Presents: Cosmic American As progenitor and contemptuous poster boy for the music that came to be Cosmic American, Gram Parsons found himself mired in a recording career spent mostly in scouting the perimeters of chart success.

Various Artists - Psychedelia: Whether you are revisiting Psychedelia or being introduced for the first time, we have everything from Love, to The Move, to Dr. John to Buffalo Springfield. Various Artists - Pebbles - Vol. Classic compilation, back from the grave! Various Artists - Soul Togetherness presents Soul Life 16 contemporary soul, dance and luxury bar grooves. The tracks have been remastered and restored and some are presented on vinyl for the first time after many years.

You'll probably say "what's new? Our recommendation would be to get the Mojitos going and dance! Various Artists - Don't Do It: Various Artists - Trojan Presents Boss Reggae This aptly-titled 2CD set highlights 40 of the most popular and sought-after tracks in the style, and with 18 of the tracks new to CD, this is most definitely the boss of all skinhead reggae collections!

In the late '60s, the role of the DJ was transformed from dancehall celebrities to major recording stars as records by pioneers such as King Stit, Count Matchuki and U Roy forever changed the sound of Reggae and opened the way for a host of other toasters.

This collection highlights the development of toasting on disc from the '60s to the '80s, including countless Jamaican hits performed by every significant DJ of note from the period. Contains tracks from the legendary Trojan Records archives.

All of the tracks featured on this set were major local hits from the five years between the period spanning and , with many of the performers going on to become international stars. A counterpoint to the heavyweight roots sounds of the mid - late 70s, lovers rock brought sweetness into the dance. Check out the video on Youtube to see how they did it! A mixture of iconic classics and rare dance-floor singles.

Various Artists - The Rough Guide to Hillbilly Blues A diverse selection of tracks which highlights how early white country musicians were heavily influenced by the blues.

The album has been lovingly remastered using pioneering restoration techniques Sign in to the BBC, or Register if require. Continue Change settings Find out more. Performances Popular All Recommended. Playlists Featured All Recommended. Artists Popular All Recommended. A tribute to David Bowie. Last Played on BBC. Read more at Wikipedia. This entry is from Wikipedia , the user-contributed encyclopedia. It may not have been reviewed by professional editors and is licensed under an Attribution-ShareAlike Creative Commons License.

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But there are others. In between, Sasha and Digweed are scheduled to play at the city's biggest dance music event for years, supported by BT's first live performance in America and a cavalcade of home-grown DJing talent.

All 5, tickets for Dance Nation have sold out well in advance. The licence is sorted and the expectation is immense. This, quite rightly, is what we're here for. But it is never that simple. Even when the city has just voted in a new mayor, a man widely regarded as being one of the most enlightened members of his profession, things don't necessarily go according to plan.

Particularly if the police have just cordoned off every street within six blocks of the venue. The show is off and no official reason isgiven. Butthen why do you need to bother with an official reason when you pack a pistol and a night-stick? The news that Sasha and Digweed are short of a booking is obviously not confined to room of The Renoir. A gap in the bill at San Fran's Another of his famous rebounds off the walls. After the is put back in place, the pros and cons are considered.

A collective scratching of heads ensues. Digweed is in favour of getting an early night in the hope of a second bite tomorrow. Til get my head down for a bit and see how I feel later. You can start without me. A man on a mission, if ever there was one.

Although both made their names playing up north, Sasha at Shelley's and John Digweed at Renaissance, they come from very different backgrounds. Inspired by the soul and funk which was touted by jocks like Robbie Vincent, Digweed bought his first decks when he was 1 3. I went up to London to buy them, but nobody seemed to have more than one deck in stock at a time. How he ended up here is quite a different story to Digweed's. Brought up in sleepy Hawarden in Clwyd, the young Sasha wasn't too bothered about music.

So to get away from the drudgery, he'd disappear to Manchester, where he found the pu and direction which had previously evaded him. As soon as I saw all those smiley T-shirts and bandannas, that was it for me. From then on, he was completely hooked. The promoters are making money and so are the venues.

After all, he had good reason to dismiss this Sasha bloke as a jerk, particu larly when he failed to show for one of his nights in Hastings in But when I phoned him upon the afternoon of the gig to see when he was arriving, he said. There wasn't that much j Ulllul Dili olUI y incentive to travel for hours on the motorway for something which might not be as good. The whole club was rammed and all they had was me.

He eventually played, unannounced in front of just people, at one of Digweed's Bedrock pa 1 "It was mental," remembers Sasha. John's an amazing mixer and his knowledge of music is incredible. No club DJ ties at Hastings Pier. Less than two hours after the hotel scene, one of the UK's biggest nan up his cases on the concrete floor of the There's no booth and t bouncers.

Just punters and him, in the thick of the action. For a jock whose name alone issufficient to guarantee queues around the blocks of mostdubsin Britain, something like thisisan opportunity to test their skills on an even playing field, to prove to themselves they have still got what it takes to rock a party. And Sasha isn't about to let it pass him by. Six hours later, dawn has come and long gone, breakfast is no longer being served at the diner down the road and the local newsstand is fast running out of Sunday papers.

But Sasha is still going strong. By this time, the hardcore punters still in attendance at the 1 0. It's one of those rare nights when every preconception is blown away, off with the morning breeze. And just when it seems as though it could go on forever, events draw to a hasty close, everybody is turfed out to greet the blistering sun and the man himself disappears in the opposite direction to his hotel room.

Somebody has apparently mentioned something about a party. But above all else, he can do the job. Few clubbing experiences can match the sight.

The alarm clock kicks into life and the phone rings. Erm, listen, you haven't seen Sasha have you? Or was that just a dream?

Meet me in the foyer in 15 minutes. Panic has yet to set in, but the glint in Sasha's eye when he left the We dive into the nearest cab and head out of town. When it's launched next spring, it will be the culmination of lOyearshard labour. So will Brighton become his own little Sound Factory?

Fifteen minutes later, we arrive at our destination. We ring the bell, but there's no answer. We check the address. Check the bell works.

Bang on the door. Ring the bell again. Check the address again. A guy working on his motorbike in the street checks the scenario and tells us he saw a gang of people heading downtown in a fleet of cabs.

Then, just when the search seems like it might never end, a mirage appears in the shadow of the imposing Civic Hall.

Can that really be Bukem on the decks and Conrad pacing through the strong crowd of blissed-out clubbers, most of them still rocking after last night's activities? And isn't that Sasha in the throng, beaming the kind of guilty smile which would melt a mother's heart? Promoters are putting on great DJs, but I don't think the music always connects.

There was this one big night when I played for the last two hours and it just didn't happen. So I suggested John and I come back and do the whole night. It just made me realise that people want anthem after anthem. In the end, you have to turn your back on the money. He treated me like a complete fucking twat. On the night, I was supposed to play for four hours. But after just an hour, these two big guys came in the DJ booth and told me to leave because Junior had arrived.

He walked into the booth and he wouldn't even catch my eye, let alone say anything to me. And I wasn't even allowed to leave my records in the booth, I had to take them into the club with me. It was a really humiliating experience. I have neverseen so many beautiful women in my life. Anyway, I was scheduled to go on at about seven o'clock, but within 1 5 seconds of my first track, there were police crawling all over the place.

All the way to Italy for 1 5 seconds. And then there are the problems you get when you put on your own nights and have peoeple like Sasha let you down at the 1 1 th hour! I really enjoy that. It's not so much an up-to-the-minute mix as one solid body of work, moulded together in their inimitable style. It was as if I was holding out on them or something! What else would make them spin sets of anything up to six hours at a time when they could be in and out and off to the next club within a couple of hours?

With the first bit of the jigsaw in place, Digweed fields calls from the Dance Nation promoter. He's less than happy about a rival benefitting from his misfortune by having Sasha play for six hours. He is also concerned Sasha's socialising might prevent him from turning up tonight. Digweed is sympathetic and polite.

Nevertheless, Digweed approaches the decks a few hours la ter while his sidekick is still tucked up, snoring his heart out. He knows that, when his set is over, he'll have to face a promoter on the verge of tossing himself over the side of San Francisco's Golden Gate Bridge.

Under those circumstance, it's amazing he manages to work up any kind of fervour at all. But Digweed makes the most of the opportunity to show the subtle skills which have cast him as the dependable if often under-rated part of the team. He varies the sounds from the rougher end of garage to full-on trance workouts without the slightest hint of a hammy string break or a cheesy piano flourish.

By his own standards, this was by no means one of the greats, but then the situation was far from ideal. The party retire knowing full well there's more chance of Ross Perot becoming the next president of America than Sasha turning up to end the proceedings with a neat flourish.

Digweed says h is goodbyes and heads back to the hotel, where he orders a wake-up call and tries to get his head down. We should have known better. As John Digweed zips through the rush-hour traffic to the airport, another yellow San Francisco cab crosses his path and pulls up at the door of the 1 0.

Out pops Sasha, bright asa button and ready to rock again. How could you do anything else? The Northern Exposure tour is as follows: Grey Whale Cove [5. Just watch this space. The record is a broad-ranging and expression istic mix of beats, scratches and samples which quickly flits from mellow soul to thrash-punk drums with no hesitation.

Yet it will probably be viewed as part of two fairly narrow debates here in Britain. Secondly, has the trip hop phenomenon still got legs? Neither of which tell you a lot about Shadow. You could even be forgiven for forgetting he is American. This man's predominantly wordless hip hop sound-suites have invited many tags and been pigeonholed more than most pigeons.

But one way of looking at his music has tended to be overlooked. With his own label, Stones Throw, now up and running, he's hoping to bring through other members of his crew, like the excellent Fanatick. PB is also planning to release some of the material he made with Charizma, his old rhyming pal who was shot and killed back in All this and an album for the British All Good label, plus a full European tour in the pipeline. Blackaliciousare the second big name. This man can jump octaves like horny salmon jump rivers.

More recently, we've had new tracks from Lateef, displaying a more direct and bruising style of rap, and creating one of the oddest and most striking hip hop records of the year with the excellent "Latyrx". And last but by no means least in the crew comes Lyrix Born formerly Asia Born.

Thisguy'sstyling has to be the nuttiest of the lot and his forthcoming single, "Burnt Pride", is a small triumph of post-pub rock 'n' rumblefunk hip hop. Just listen to those drum fills.

A perfect combination of laid-back 'n' funky vibrations, swinging drums and great lyrics, all delivered in cross-rhythmic bursts vaguely reminiscent of Godfather Don, which is high praise indeed.

This is all thanks to their hectic, improvised tour schedule, wh ich involves getting on a plane, going somewhere, playing as many shows as they possibly can and moving on. In between, they have released and sold a string of tapes, plus a fantastic vinyl cut, " 1 - The Final Legacy", which shows off their free-wheeling style something lovely. Hissound is always different and experimental, while his beats ; vl I crack and boom like thunder.

However, perhaps more important than their titles is the sheer inventiveness, creativity and all-oi of their playing. It does, however, have another deep and strong tradition. An underground committed to the founding, progressive principles of hip hop music, a community producing independent records and tapes which are literally sold on street corners, but are now snaking their way out across the world. All of a sudden, people are starting to describe the Bay Area as a place to watch.

Despite some of the dross currently emanating out of New York and Los Angeles, hip hop is not dead at all. Looking at it from this perspective, DJ Shadow is simply the most overground manifestation of a major underground phenomenon. T live in a sleepy college town about an hour or so from the Bay Bridge. But my main link to the Bay were the radio stations. It was here he used to watch the break-dancers and listen to what they were playing on their ghetto-blasters.

We were in McDonalds. Oh my God, when I heard that. A move which meant they no longer had to worry about trends or whether they'd get signed. It wasall accepted as hip hop and there was never a regional dispute. Only the East Coast people stayed in New York and never knew hip hop was being made in other places. As a result, I think the West Coast scene probably takes a broader view and is less retentive about what this music really means.

There are so many groups in the Bay and none of them care about where they strike or who knows they're there. They're just doing their thing. The Glue Factory is the pride and joy of Dan "Automator" Nakamura and is so named because, when he moved in, the whole place reeked of glue.

The Glue Factory is where Shadow recorded much of the "Endtroducing. Where Peanut Butter Wolf cut the material which has established his growing reputation in Britain. The studio itself is a box into which only two people can fit at once.

I t's packed to the loosely sound-proofed walls with the equipment Automator has built up over his many moons in the hip hop business. People still don't really know about him and his mad beats. Generally speaking, it allows people to be more creatively free.

If that makes any sense. Paris released an indie record. So did Digital Underground. In fact, l even remember when MC Hammer was selling records out of the trunk of his car. The people who blew up out here, the people who are now considered as big hip hop heroes, they all first started off by doing independent stuff. As you enter, you will see a little bar and a pool table, and you will hear thesound of hip hop and rEtb pumping from the dancefloor round the other side.

Walk across the dancefloor, past the DJ booth, and there's a small set of rickety stairs. If you can climb down them without cracking your head open on the low ceiling, you'll find a little room with a sofa, a couple of tables and some chairs.

At one of the tables, a group of graff-buffs will probably be scribbling in their sketchbooks. But everybody else will be looking to the corner where, behind the Technics, the DJ is cutting it up. But why should that be? Why is it that some of the most innovative deckmen around are gathering at this tiny club every Tuesday night? And scratching has been big since the beginning. I think one of the reasons is because of the Asians, Philippinosand Latinos. They've helped keep it alive.

He believes this results in a friendly competitiveness and a constant raising of standards. Q-Bert, meanwhile, applies this philosophy specifically to DJing. Everyone goes home and starts practicing that style, then they'll make their own style and so it just keeps growing from there. It's always interesting and never the same. Everybody's going in different directions at the same time. It's like seeing your mother dissolve into alcoholism. After a while, you feel the only way it can change is through tough love.

We only care if it's slamming to us. The famed White Island. The home of summer clubbing. The last bastion of messiness.

In the hope we might learn something, we persuaded three party people to show us the way. Others, of a more tie-dyed inclination, have heard the island's bedrock is made of quartz, a medium ideally suited to receiving alien messages.

Hence the high incidence of UFO sightings in the Balearics. A more recent generation has bought heavily into the myth of a Mediterranean clubland nirvana for beautiful people.

Propagated by melodic ambient compilations and easily-led journalists on music bizjunkets, the White Island has transmuted from a package holiday destination into a palm-fringed Iberian paradise. Think topless babes lolling around passing gin palaces captained by cocaine-snorting Euro hunks with washboard stomachs and perfect tans.

For good measure, add the odd house record nothing too heavy, mind. Throw in a few pills and it even becomes a bit spiritual. Emma, Amy and Caroline were under no such illusions when they booked their Ibizan holiday back in rainy Loughton, Essex. Forget true romance, intrigue or cultural adventure. Forget reading books beside the pool.

Our trio of vertical vacationers are here to escape from "crappy England" and party like they've never partied before. I guess it's okay if you're the sort of person who enjoys playing pass the cucumber. If you want to go] into San Antonio fora fight, go to shitty clubs like Kaos and throw! But the 1 people ch ucked us out.

The maid came in and woke us all up. We were still caned from the night before and we even forgot our stereo when we left. But it s miles better than the 1 dump. We hate the beer-monsters- in-football-shirts mentality you get there. We're into the right stuff, know what I mean? You fucking should do if you're from Muzik. Behind us, the now! Tonight, the Cafe wins and resident Jose is saluted by an appreciative ripple of applause from the throng of f pre-party clubbers.

Everybody is transfixed, open-mouthed, in a westerly direction. It's as if this were some defining moment in the history of mankind, like the Second Coming or England winning the World Cup. Jr I Holiday Clubbing mind the empty bottles of Stella washing off the beach.

Never mind the thousands of duty-free fag ends floating around in waterside pools. There's no marine life left here at all. It died of liver failure and lung cancer long ago.

There is a very peculiar smell, though. It's probably the Franco era sewage system. Caroline, however, holds a totally different view of it all. I was in tears for two days. It was really terrible. I missed it so much that I had to get a flight straight back here.

I really didn't think places like this existed. I had never even been on holiday without my parents before, so you can just imagine. Along the way, we run across a buzzy and bare-chested Josh Wink. He's here for the fresh air and to d ive off cliffs into the sea. Suitably humbled by endless tales of his hea Ithy lifestyle, we make our excuses and duck into a bar for a swift one. Then it's out, past Charlie Chester and his entourage, into a neighbouring block of flats and up five flights of stairs.

A different mix tape blares from every landing. A group of Welsh lads already obviously off their tits wave a packet of Rizlas i n ou r direction. We're weighed down by the bottles of Spanish beer we've picked up in a dodgy off-licence round the corner.

It's to keep our interview subjects talking. Inside the flat, are six or seven girls. They bitch at each other incessantly. The talk is of which clubs to go to tonight and what clothes to wear, of which clubs they went to last night and what clothes they wore. Their accents range from deepest Essex to plummiest Kensington. Either way, the language is ripe. The plummy one points to a "Cunt Box" by the window.

Now, along with the others, she is obliged to pay 20 pesetas every time she uses it. The box is full, she boasts with a coming-of-age pride. And it's only been there since the previous evening. But something tells us that using naughty words is the least of their worries. There's the plastic washing-up bowl, for starters. It has been sellotaped over a hole in the wall to stop the rat who lives there running around the lounge where three of the girls have to sleep. Not that the rat is bothered.

It just runs around inside of the walls and in the bowl itself. In true Johnny Morris fashion, the bowl is see-through, thus presenting an unparalleled appreciation of Balearic rodent life. Precisely why a rat would want to visit this apartment is, however, open to debate. Dis 9 arded clotbes lie everywhere and dishes are piled UGlUlu in the sink. The fridge is bare apart from our booze, three I PfllTlP nilt hprp bottlesofperfumeandacoupleofeye-linercrayons.

Oh, we nick that from the bars. Things are really expensive, so we've sorted out the cheap places. We buy ou r toiletries at the 1 00 peseta shop up the road. We spend hours in there. There is a food shop there, too. We don't eat in the West End because the food's shit. You have to be careful because there's some dodgy stuff out here.

We usually just go for beans on toast. Ten minutes later, after a quick trip to the grub shop, dinner isserved. Pasta covered in uncooked sauce straight out of the jar, white bread, margarine and a bottle of vodka.

Anything to stop us thinking about the rat. The strip is packed. Fat birds with white legs clatter around in turquoise stilettos as they try to get away from balding blokes wearing Newcastle United shirts. It's good clean fun, though. After all, a decent fight is only a barstool away. Emma, Amy and Caroline are not impressed.

We offer Es Paradis. We gain entry with a litre of vodka disguised as a bottle of mineral water, which is just as well because the drinks prices are frightening.

Emmaskanks a German guy for a lager with a little smile and a peck on the cheek, and he spends the next couple of minutes circling like a vulture. She eventually tells him to piss off. He just takes it as a compliment. Most men bore me and Spanish men are the worst of them all. They're constantly trying to put their hands up your skirt. No, we didn't sleep with him, but there are some girls who will. Like the girl at the Manumission party who shoved a bottle of champagne up her crotch and popped the cork into the crowd.

She must have been a professional entertainer. In a way, that's the trouble with Ibiza. Nothing shocks you in the end. Everyone's smiling and you get these mad Spanish trannies in huge platforms. You could go there in a see-through bikini and nobody would look twice.

Another time, I dressed up as Benny Hill and ended up sitting in a paddling pool for hours. You can do whatever you want in Ibiza. That's what I like best about it. If they find somebody with 10 pills on them, they might let them off or they might decide to send them down for a few years. Putting your day-to-day life in order through a process of quiet contemplation.

Someone else reckoned that true travel is only possible in the mind, not by visiting far-off countries. Both sentiments seem relevant to a generation of pleasure-seeking clubbers who have been everywhere and are going nowhere. For many, itseems as though travel has become little more than a cheap fix, a temporary escape for cosseted lotus eaters who, in another age, would have happily settled for a pint of gin or a cheap hooker.

In short, it's a cop-out, a pipe-dream. It's not really busy any more and they have started playing drum 'n' bass down at Mambo. You go down the West End and the only people there are the ones giving out flyers. As for Britain, well, you can lose it badly when you get back home, but I want to sort my life out.

I want to go to college and find myself a decent job when I leave. I want to do media studiesand become a music journalist. I keep delaying my flight back to Luton. Ifyou spend a long time in this place, it changes you beyond recognition.

My mum probably won't let me get through the door when I go back. That's why I'll be flying straight to Goa. Tuesday 3rd Soplomber Amnesia. Thursday 26th September Ultimate Bass. Saturday 28th September Rave City, Germany. Tuesday 1st October Askelon, Israel. Les Ryder, Trevor Rockliffe. Wednesday 2nd October Oberhausen, Germany. Friday 4th October The Arches, Sheffield. Saturday 5th October Lisbon.

Friday 11th October Cardiff University. Saturday 12th Octobor Scream, Plymouth. Friday 10th Octobor The Pod, Dublin. Carl Cox, Paul Bleasdale. Darren Emmerson, Les Ryder. Saturday 19th October Cream, Liverpool.

Nick Warren, Les Ryder. Thursday 24th October Rex, Pahs. Carl Cox, Lauront Gamier. Saturday 26th October The Arches, Glasgow. Cart Cox, Paul Bleasdale. Darren Emmerson, Nick Warren. Monday 28th Octobor Sutra, Bhstol. Wednesday 30th October Newcastle University. Friday 1st November The Academy. Cart Cox, Les Ryder. Darren Emmerson, Eric Powell. Saturday 2nd November Quo Club, Birmingham. Friday 8th November Warwick University, Coventry. Saturday 9th November Essence, Nottingham.

For further details about the Ultimate Cream Tour call 01 51 A! He is the year-old French guy who has taken the melodia and mellifluousnessof trance and brutally shoved it into a dark underworld where a never-ending spin-out trip is just around the next corner. A world of extreme trance terror, a world as bleak as the most distant black hole, a world as dark and murky as the outermost reaches of Hades.

The instant trance toppings and the trippy cliches of old-school Euro and standard Goa are definitely not for this man. The full 16 minutesof Top's new "Spherique" single, on which radioactive lines pulsate like some alien frequency over brooding, knife-edged, rolling hi-hats, is terrifyingly good.

Once immersed, forever scarified, the track is the sonic equivalent of spending a night in Amityville on some seriously bad acid. The man himself rarely gives interviews and refuses point-blank to be photographed.

A French Mad Mike Banks, perhaps? All he will say is, rather vaguely, "No publicity, no advertisement for my old label. I have many problems with this. Dip into his back catalogue and you will u ncover moments of devastating minimalism. A dangerously simple, single-track intensity, the bulkof the tunes unfold over what seems like an eternity, allowing for total immersion.

And just when you think you're comfortable, the title cut breaks down into near-nothingness and "Replay" pushes the to insane levels of high pitch. For me, though, it's a personal trip, maybe sometimesa forbidden picture from my childhood. Life is too sad. Electrification is only a heart i pe. All most people via a chrome chute sofa And it's here Top defies convention, society even, by im mersing himself in the art of weirdo sampling. It's just that I prefer my own sounds.

It will be mental, but not in a crazy way" , as well as setting up another imprint, Electret, wf ich will offer half electro, half what he describes as "loop mu sic". Drug music for all the fucked-up childrer of this electronic demi-monde. But what about EmmanuelTop's personal drug intake? These days, I try to smoke with my music.

All your clubbing needs in a whizz round. A rain -drenched place where got Its and rockers: The stereotype view ol this West Yorkshire city is one which refuses to fade, no master how hard the locals try.

Hle proudly confirms this is indeed house central and that all other forms of dance music are practically nonexistent. We are immediately faced with a police roadblock manned by officers decked out m riot gear. This kind of violence is not a normal occurrence, we arc later assured.

As we approach the club entrance which is situated down one of Leeds' numerous shopping arcades , the doorman's eyes are fixed on our feet. Norlhwavcs and Vans are apparently not dc riijUQur. We eventually manage to blag our way in to discover that fluffy bras and fat boys in whit e sliL shirts are.

I laving spid that, the venue isn't exactly rammed, the lack of students being used as I lie catch-all excuse. Indeed, the "summer holiday" becomes the scapegoat for every lacklustre event this weekend. I he Pleasure Rooms is designed like a rabbi I warren, with corridors opening on I onto the dancefloors and barareason the three floors. Only Iwo of them are open tonight and the clubbers seem less than excited at the prospect of a Jeremy Mealy set. As it turns out, Mealy is stuck in Middlesborough and tonight is another ol the man's infamous "no show" events.

Although Vague has closed down or the summer, it's rumoured to he reopening at The Warehouse in October. Nothing is confirmed as yet, though, so 1-Spy are determined to make the most of it by pushing its "gay- friendly" policy on flyers. NATO itself is a nightmare of clashing designs. Gothic corridors with fake torches on the walls lead to the foyer, where punters arc circled by iron busts of imaginary Egyptian figures.

The centrepiece boasts four Nubian slave women standing back - to-back in a circle, their arms aloft to hold up lights. Up Yer Ronson TheOrl Willi lots of chrome and steel on show, the main dance room looks a lit lie like an mil-lake I mm a trad Eighties cyhci punk movie, As a result of the main mis used, the sound is unbearably tinny, and only a full house can soak up the Metric and bring out the lull power of this system. Up in the 1 1 moth, Daisy M Havoc have to battle hard to gel tonight's atmosphere cooking.

But it's next dnorin I he "Ironl room" where I he designer a loose term basically gone to town. Every known cliche lo eon temporary clubbing is crammed inlo Ibis area.

Which means a complete mess toyoti and me, Still, at least the music makes up for it. I I Bcv's selection ol deep and Imiky hip hop tunes delighting Hie post-goalee cool eiowtl. Luckily, Leeds boasts an excellent array of slurps within its many ai cades. For record buying, you will probably need to comb the city a little more. I lie most popular vinyl outlet is Eastern Blue, which features three rooms selling rHh and hip hop, techno and house and, finally, dr uni V bass. When Dream attempted toohtain a legal licence, llicy were forced to go legit loi a while, resulting in the demise of the station when Ihe licence concerned was awarded to the consortium of businesses acting under the franchised bannerol Kiss I M Steve maintains the loss of Dream I M has affected Ihe city in a negative way.

He believes that most people are now only interested in the nunc commercial rccoids they hear at the better known clubs, lie even goes so Mil as In suggest I eeds lost its right to that "capital of UK house" lillcnvci a ye.

The most famous is probably Bar Basies, which opens op onto the l eismc Rooms. Some ol the people we spoke to suggested llicy prelci logo to l he hat and not bolhci with the club, as Ihe former maintains a much Iriendfiei almuspheie. Closer lo the University, Ihe I avershnm is a pub which thinks like a club. Willi a range of Uls covering bouse, techno and drum TT bass, it is a big diavv lot students and locals alike.

Such is the lav's inlamy that the "I lux" IVshow was filmed heic, with 1 1 1 Biikem playing a superb set lm the cameras. When we ai live, it's absolutely packed. Whatever the reason, we are forced to over-excite the smoke machine in order to escape the gangs of burly lads who are equally insistent on getting Iheir faces immortalised in print. Now moving off in search of Leeds' much-claimed hour cosmopolitan energy, we head for an after-hours joint called Casaloco.

Formerly known as Bedrooms, this most salubrious of dives presents an early morning dose of hard house for the still wired clubbers. Unfortunately, the security won't let us in with a camera, fearing for the anonymity of their clientele. We decide lo give the place a miss.

It will also no doubt be more willing to allow r. Many of the people we chatted to believe the house monopoly is slowly being eroded by the more freestyle approach. This idea is backed up by the rumour that Up Yer Ronsun are planning to open a Heavenly Social-style room. In the meantime, there's always It's Obvious, which takes place once a month at The Warehouse, although such is the demand that the night might become a weekly event in the near future. Just about everywhere we went, we were told bow good the club's most recent night was, with a range of teclmo, drum 'n' bass and dub tunes rocking the house.

So don't be surprised to find a barbecue going on, some trapeze artists flying around or even the odd DJ playing in the toilets at one of their nights. Another recommendation is The Dubterrancan, an old cafe on Hyde Park which has been turned into a venue. Offering a multitude of different styles, Including downtempo trip hop nights, the occasional drum 'n' bass event and lots of techno, The Dubterranean is a vibrant and creative environment with the ambience of an Amsterdam squat.

Remaining open until Gam, it is invariably frequently used as a chill-out space. Oh, and the food is as good as the sounds. The activities of the d. Previously held on a Wednesday night, d. You'll hear drum V bass at Exit 9, too. The idea of this dub is to break away from the typical admission and bar prices, to promote underground and bedroom jocks, and house events in lots of different venues rather than simply endorsing one host.

II might boast some of the best-organised, corporate-minded joints in the country, but it also offers some excellent grass roots adventures. There's something for everyone, as the saying goes. Whatever the approach, one thing is crystal clear. Club life in Leeds is sure to grow in all directions, with "quality" being the important password. As vve leave the city, a couple of posters grab our attention. The second is a headline stock on a newspaper vendor's box which simply declares, "City Police Hunt Killer Heroine".

Two bytes from a city which seems to thrive on opposites. Hard Times residents, Paper Music supremos, motor-mouthed maestros and legends in their own lunch boxes. As DJs, they've played their tough blend of cool garage and killer deep house to audiences everywhere.

From Portugal to Plastic People, they've rocked it. They run the Paper Music label and have forthcoming releases from a couple of Welsh geezers and a house outfit from Norway.

Oh yeah, they're also residents at some club in Leeds called Hard Times. And they're not exactly shy. How did you guys get started? I wasn't DJing when I was 1 3, like every American you read about.

Playing records for your gran isn't your first gig. Going to a club and getting paid is your first gig. It wasa kind of buffet. So we'd go to the bakers and buy lotsof old pasties.

A big fucking box of them for a quid. We did one which was supposed to be a picnic. We wanted to get astroturf, but it was too expensive. So we used a green rug. We made some cardboard clouds, too. Some of them were great, though. Wejustdidourown thing and carried it off without compromising. The promoter said it wasas mad as when Healy played.

Which makes you think the situation may change, that cheesy house will eventually die and other styles will come a long. The lowest we would go is three and the highest is seven. We've got a big club, so we can't be too choosy. We don't have to open with cheesy records.

That is not why punters go to the club. They come for the music and they are generally very open-minded. Mind you, our big logo confuses some people into thinking we're a Cream-type affair. Asuperclub hasa fucking healthy bank balance and lots of nice merchandising. Whereas we don't have any money. We had to shut for eight months, so how the fuck could we have? Then Pete will come out with, 'Can you lend us a fiver? Loads of good records were ignored just because they weren't fashionable.

Just because there was more happening on the eclectic front, everyone was convinced house had died in Manchester. But there were still a handful of people into it, like him and me and. It's really bad because we've almost singled him out. Roger Sisjust as bad. It'sjust that Roger smiles occasionally. People like Masters At Work take the piss, too. They're fucking brilliant as producers, they're the best, but when they come over here, they take the piss.

It's as if they are biting the hand that feeds them. Todd wanted X thousand dollars and two business-class flights to play Hard Times. In fact, we felt semi-responsible for that 'US DJ charging lots of money in the north of England' scenario.

We kind of instigated it. When we first brought those people over, they weren't working much in the UK. I don't mind paying somebody C2. But when they are here every week, it's like, 'Nah, you wouldn't give that money to Miles and me. Surely they can't all just be after money? And he actually wanted to play. So Pete called him to say we only had a little money in the budget and just left it at that. Then Roger called back and said he'd do it for less than usual!

That's kind of situation sorts the wheat from the chaff. The thing is, we've only released three records, so there isn't really anything to talk about. Two by us, one by a French bloke. It's not like that. Simon gets paid more than us for a track because, in the general scheme of thi ngs, he does more work.

Go wild in the country! This Rothwell is much more tranquil. You could well find yourself engulfed by a swarm of Red Admiral butterflies, but youYe unlikely to be snatched by aliens. On a good day, four or five buses will pass this way. Just down the road, there's a beautiful Norman abbey. And all around are miles of sprawling green rhubarb and potato fields. This part of Yorkshire apparently grows more rhubarb than anywhere else in the world. As you have probably already gathered, it's very, very rural.

At one end, you will find the home of Rob Tissera, the DJ responsible for Leeds' most infamous warehouse parties. It may not be up there with Abbey Road, but the music emitting from this unlikely studio is every bit as radical. A quick look at their back catalogue reveals myriad of sensations. Random Factor and Black Libs Carl , with his pervy-beat takes on dark, moody electro.

Chuggles aka Ralph and Chez Damier making sweet, soulful garage. There are remixes, doodlings and jam sessions. There's even the Back To Basics label, now given over to other artists, but originally launched with singles from Ralph and Huggy. A club foundered on the "White Riot" principles of The Clash, but with black soul music roots replanted from Chicago's Warehouse. The only thing missing was a reference to their music policy. Back To Basics is almost unique in its combination of fearsome party anarchy and unbelievably bang-on-it underground slammerdom.

Huggy is imposing, straggle-haired and quiet, but given to bouts of pants-on-head silliness. Together, with Ralph on Basics' middle, housier floor and Huggy creating pandemonium in the basement with fierce funk and ruffneck techno, they've made Basics far more than a club, it's an experience.

How t hese two came to be where they are now is a strange and tragic tale. They met outside a rave in London. Huggy had already had his big break as the warm-up for Marshall Jefferson and Adonis on the Chicago Trax Roadshow in Ralph, on the other hand, had grown up with post-punk indie.

It was not until a visionary night at The Wag Club in London in 1 that he felt the funk. The club was beginning to make its mark when, in late 1 , on their way to a gig in Glasgow, the car carrying Dave, Ali, Ralph and his girlfriend Jocelyn was hit by a lorry. Dave and Ralph were badly hurt, Ali and Jocelyn suffered fatal injuries.

Their wake remains one of the most emotional gatherings in UK dub history. Ali Cooke's legacy and the void he left cannot be understated. He was the ultimate Balearic DJ. Which may explain why, some four years on, theirs is one of the most solid DJing partnerships around.

It rocks, big time. And when they give us a sneak preview of other tracks for Filter and Afro Art, wc have to get up and shake our heads down to get a grip on ourselves. Get on the bus. Far ahead of the madding crowd and showing the way to go. It's the sort of personal adornment you can only get away with when the words, "additional production and remix by Ray Keith" have appeared on everything from Orbital's "Chime" to Baby D's "Let Me Be Your Fantasy" to the music for "Ridge Racer", the arcade driving game.

It symbolises a certain status. It demandsa certain respect. I came from a broken home, with loads of mental headaches. When I was at school, I used to wear a bit of silver and I always said, 'When I can afford it, I'm going to be rolling out in gold'. It's a place he obviously still has great affection for.

I think that's the way to be if you want to survive. Which gives more incentive to those like me to dip into different jarnps. There really is nothing I don't want to touch. Aside from his own work, many of the producers responsible for the material are luminaries in their fiel J, but their names do not appear anywhere on the rek ases.

I don't use their names beeau ;e I'm not in it for the money. If you continue without changing your settings, we'll assume that you are happy to receive all cookies on the BBC website.

However, you can change your cookie settings at any time. Benji B is a British DJ and radio presenter. He also previously presented a weekly radio show called Deviation on Couleur 3 a national Swiss radio He is a co-producer on Kanye West's track 'Fade' from his Life of Pablo album. Sign in to the BBC, or Register if require. Continue Change settings Find out more. Performances Popular All Recommended.

Playlists Featured All Recommended. Artists Popular All Recommended. A tribute to David Bowie. Last Played on BBC. Read more at Wikipedia. This entry is from Wikipedia , the user-contributed encyclopedia.

It may not have been reviewed by professional editors and is licensed under an Attribution-ShareAlike Creative Commons License. If you find the biography content factually incorrect or highly offensive you can edit this article at Wikipedia.

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